Internationally beloved singer, songwriter and guitar hero Riley B. B.B King passed away last year. He was 89 years old.
King was a celebrated figure in Blues music from the 1950âs onwards and remained popular both in concert and on record until the time of his death.
The future Blues Boy King was born on a cotton plantation in Itta Bene, Mississippi – not far from the Delta, in 1925. He began his musical career by busking on street corners for loose change, usually performing in as many as four neighbouring towns on any given Saturday night. Seeking his fortune, the young man hitchhiked to Memphis, Tennessee, with just his guitar, the clothes on his back and $2.50 to his name.
Whilst in Memphis, Riley stayed with his cousin Bukka (pronounced Booker) White, an established Blues performer who sharpened Kingâs already formidable musical instincts.
In 1948, B.B performed on Sonny Boy Williamsonâs KWEM radio show, which opened the door for him to perform at the Sixteenth Avenue Grill in West Memphis and later to appear on all-black radio station WDIA. This led to King being given a regular slot on the station, beginning with Kings Spot and later evolving to The Sepia Swing Club. It was during this time that Rileyâs stage name of Beale Street Blues Boy became shortened to the initials B.B.
During the 1950âs, a fight broke out between two men at one of B.Bâs gigs. In the resulting fracas, a kerosene stove was knocked over, which set the place ablaze. B.B, dashed into the inferno to save his favourite guitar â an act that very nearly cost him his life. When he learned that the fight had been over the affections of a woman named Lucille, B.B named his guitar after the woman and, from that day on, all of his guitars bore the name Lucille.
King, now a local radio star as well as a very popular musician in his own right, soon had a number one hit on his hands with Three Oâclock Blues, this set the boy from Beale Street touring the United States of America, something he would continue to do for the rest of his life.
Towards the end of the 1960âs, B.B found that his music was transitioning to a young, white audience that were eager to embrace his electric Blues sound. B.B, who had spent his professional life playing almost exclusively to black audiences, suddenly found himself receiving standing ovations and an unprecedented level of respect and appreciation from white audiences, as well.
When he recalled the times changing around him in the 2003 documentary film The Road To Memphis, produced by Martin Scorsese, he was legitimately moved to tears. His music had broken down racial barriers and ultimately won the hearts of people from all races, all walks of life.
When he opened for The Rolling Stones on their 1969 US tour, Kingâs international stardom was assured. From this point on, B.B King held a new ambition close to his heart; he wanted to be known, nationally and internationally, as the ambassador of the Blues.
In the 1970âs, B.B King was a big enough name to tour internationally, visiting Africa for a series of concerts that were filmed for commercial release as B.B King: Live in Africa. Throughout the next four decades, B.B toured the world, recording live albums in places as far afield as Japan, Great Britain and San Quentin State Prison.
King toured Europe, Australia, New Zealand and even visited the UK from time to time, where this writer was lucky enough to watch the late, great man ply his trade in front of an awestruck and mesmerized audience.
The list of guitarists influenced by B.Bâs incendiary sound is a long and impressive one. Names include Jimi Hendrix, Eric Clapton, Buddy Guy, Freddie King, Albert King (neither are related to B.B) and Johnny Winter amongst many, many others. B.B King won at least 9 Grammy awards (among numerous other accolades), was honoured and admired by several American Presidents and touched a great deal of hearts into the bargain.
B.B King recorded 42 studio albums and many more live albums, including critically acclaimed masterpieces like 1965âs Live at the Regal, 1969âs Live & Well, 1970âs Indianola Mississippi Seeds and 2005âs birthday celebration album, simply titled 80.
Earlier this week, a procession of fans, musicians and well-wishers paid tribute to Kingâs memory. Walking through the streets of Memphis, a Dixieland Jazz band followed a black hearse down Beale Street, as local act The Mighty Souls Brass Band played, When the Saints Go Marching In in honour of a musical legend.
Later in the day, a tribute concert, featuring artists Bobby Rush, The Ghost Town Blues Band and Ruby Taylor amongst others, was held in B.Bâs honour.
Upon hearing the news of B.Bâs passing, US President Barack Obama sadly said, âthe Blues has lost its king and America has lost a legendâ.
Kingâs final studio album, 2008âs One Kind Favor, paid tribute not only to his own illustrious career, but also to an early influence of his, Texas Bluesman Blind Lemon Jefferson. On the title track, B.B covered one of Lemonâs best-known songs, See That My Grave is Kept Clean. There really isnât much else to say about the staggeringly significant life and career of Riley B. King, perhaps better known as The King of the Blues except that his grave will most certainly be kept clean and that his legacy will live on until time immemorial.